The speaker welcomes the audience to stroll with him into the lanes on a night that looks like a patient, anesthetized with ether, lying on the table of a doctor's facility working room. The symbolism proposes that the night is dormant and drowsy. The speaker and the audience will stroll through desolate boulevards—the business day has finished—past shoddy inns and eateries with sawdust on the floors. The shabby foundations will help the speaker to remember his own deficiencies, their pictures staying in his brain as he strolls on. They will then push the audience to get some information about the speaker's life—maybe why he visits these decrepit frequents, which are images of his life, and why he has not acted to better himself or to take a wife.
2. At a get-together in a room, ladies talk about the colossal Renaissance craftsman Michelangelo. Prufrock might consider how they could be occupied with him when they are talking about somebody as famous as Michelango. Eliot may likewise feel that the ladies are shallow since they are discussing such a surely understood craftsman